So, we’re still on lockdown here in Wales, and we’re told we can go out for exercise, and we try to do it whenever we can. Usually it’s just myself and the boys, but we managed to get the wife along with us as she was off work for once. We walked around the block, through a local park called Vivian Park, and went through the children’s play area as it was empty and no-one around, where the boys let off some steam and played to their hearts content.
All images converted to black and white in Snapseed, with a border added, and then resized in Photoscape X Pro. Please click on them to see them in correct crop and full screen.
For a bit of fun, I also took a couple of double exposures. I know they can be done in software, but the real fun is doing it in camera and just experimenting. Here is Sam, taking a photo of the local cenotaph. I hope you like it. It’s one generation, capturing am almost forgotten generation.
Hopefully, this was a bit different. And if there’s one this I learned from the day, it’s don’t forget your spare battery when you haven’t used your camera in a while and its freezing outside!
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Two new film simulation recipes for the Fujifilm X-Trans IV sensors, and for that occasion I went for a walk with the family to take some new photographs to compare the different recipes. I have put a base image of Classic Chrome to compare the two film simulation recipes to.
The first new film simulation is MGA Kodachrome Classic, based on a generic Kodachrome look, and giving the look of vintage film. I’m very happy with the look of this new version of Kodachrome, and I can see it becoming a favourite of mine in the future, it’s just got that vintage tint to it that sets it apart from other simulations.
The second is an attempt at Fujifilm 400H film stock. This has just been discontinued by Fujifilm, so I have this “Redux” version which is an amalgamation of numerous 400H photographs that I have seen. This version is very much based on the film being over-exposed by at least one stop, as seems to have been normal for this film stock. It’s meant as a tribute to the great film stock, and can never replicate exactly its development process. The film produces a more green/blue cast, leaning toward the green
Here you can find a side by side of MGA Kodachrome Classic and MGA Fuji 400H Redux from images I took while having an hour out at a local park during lockdown.
Here is a sample strip of original Fujifilm 400H film stock, with matched exposures for comparison. As you can see, the results are pretty similar. Sadly, today the weather wasn’t perfect for this shoot.
There’s an editing package that stands head and shoulders amongst the paid for and subscription editing package services out there, and it’s called Darktable. Many people would have heard of it, but presume because it is free, it is no good or not suitable. However, things couldn’t be further from the truth, as Darktable isn’t only amazingly powerful, but has a lot of useful features, especially (but not exclusively) for Fujifilm users.
What does Darktable generally offer?
Before we delve into what Darktable offers Fujifilm camera users, you need to know what Darktable offers in the way of it’s general features.
Think of Darktable as Lightroom, but on steroids. It offers a full library/Lighttable organisation section which allows you to view and tag multiple images, arrange them by various forms of ranking and much more, on a similar way to Lightroom. However you’ll have none of that importing inconvenience of Lightroom , as you can point directly to the directory your images are stored, or even just edit single images very simply.
In the editing portion of Darktable you can of course start the process of non-destructive editing. Darktable 3.4 has a wealth of options, many more than Lightroom offers for total control over the processing of your images.
Darktable has some very powerful and unique features for masking, which once used, you’ll wonder how you managed without them. Being able to curve the gradient line is something so simple, yet missing from every other editing package. There are also the parametric masks, which give you instant and full control over the areas you want with the tweak of some sliders (very much like colour or luminosity masks, but more advanced). In fact, there are a ton of masking options, something for every conceivable operation you may need to perform.
What’s in it for Fujifilm users?
Firstly it handles Fuji raw files with ease, avoiding so called artefact issues that allegedly plague some software. Noise and sharpening is handled extremely well, and you’ll always get clean looking images.
And then we have the built in colour science. Using the Colour Lookup Table module, you can instantly choose from a selection of Fujifilm film simulations. When added to your image they can be very accurate, especially when you can the exposure correct. You can fine tune them to by changing the opacity of the modules mask, perfect for getting things just right.
There is also a Velvia module, which, as the name suggests, adds colour and contrast to your image in a way that using the Velvia film simulation looks and feels. A great module for making your images pop.
Finally, you have Darktable Styles (dtStyles) which can result be downloaded. There is a huge repository for Fujifilm styles, covering dozens of film stock variants and X-Trans III sensor styles. It’s a great resource to get your image looking “Fuji”, and styles can be adjusted easily, as they are usually base curves with often other adjustments which are added to your history stack for tweaking.
Of course, Darktable can use LUT files too, so as an added bonus, you can add any Fujifilm (or other cameras) LUT files to help you achieve what your aiming for, especially if you’ve used those LUTs in other programs. Check out my good friend Marc’s website here for accurate Fujifilm LUTs.
Darktable has a bit of a learning curve, but in its latest update to 3.4, it’s easier to use that it ever was. If you’re coming from Lightroom, Darktable should generally be more accessable.
For a free and open source program, you can tell a lot of love has gone into making Darktable. Written by photographers, for photographers, and it shows, plus it is updated on a regular basis and is available for Windows, Mac and Linux computer systems.
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I live next to the beach, and it’s a beautiful place to live. We have so much to offer at Aberavon, and sometimes it’s nice to just photograph the people as well as the landscape around us. This blog I’ve titled “Beach Life At Aberavon”, and is a slice of life during lockdown in Wales in 2021. Usually the beach, at this time of year is nowhere near as busy as this, however, with lockdown, people are exercising more than ever.
I’ve gone for a slight cinematic tone with the editing tonight. I just felt like playing a little with my usual look. As such, all images have added a cinematic look to them using Photoscape X Pro. As usual, the photographs were taken using my Fujifilm X-T3, however tonight I used my Fujifilm 50-230mm lens for a change.
Here are the images from the evening. As usual, all EXIF data is included, and they are best viewed full screen.
Hopefully you have enjoyed these photos. Comments are welcome, as are likes for the blog, and of course subscribe so you don’t miss out on future blogs!
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January 1st 2021 was like a breath of fresh air in so many ways. The end of 2020, a quiet day and to top it off, a beautiful, if short lived sunset. I decided to during the day, that I would go out for the sunset, and take my son Samuel out for the evening. Samuel had a new camera for Christmas, and needed to try it out. It’s only a 5mp children’s camera, but it hopefully be the start of a new love for him.
Due to current Covid-19 restrictions, we cannot travel to get anywhere, so we have to stay local. I am lucky enough to have this on our doorstep. It was the first time out for a while in challenging conditions, where we had a super bright sunset, followed by swift darkness. Over the month’s I’ve not really had chance to push the camera in the ways I wanted, so on New Years Day evening, I decided to try out the eye/face detection to it’s fullest, and was mighty surprised that the X-T3 found faces and eyes even with the sun directly behind the subject (usually Samuel!).
I was worried that the auto ISO might hit the top end of ISO6400 on a regular basis, but it didn’t, thankfully the Viltrox 23mm F/1.4 is a steller performer in low light. All this combined with my favourite base film simulation, I was happy with the results straight from camera.
As you know though, I like to take HDR images (three photographs EV-2/0/+2), just in case I am missing some dynamic range. I usually just upload my images to Google Photos (where I store my jpegs) and let Google Photos produce the HDR images. Here are the results for some of these!