RapidRaw (1.5.2) – A Review And Update

RapidRaw 1.5.2 represents a major milestone for this lightweight, open-source RAW editor available for Windows, Mac and Linux users. Developed by Swiss developer Timon Käch (CyberTimon), it has quickly evolved from a proof-of-concept into a high-performance alternative for photographers who find mainstream tools like Adobe Lightroom too bloated or expensive. At just under 30MB, RapidRawContinue reading “RapidRaw (1.5.2) – A Review And Update”

Can any camera be a “Professional” camera?

I caused a lot of debate on my series looking at Micro Four-Thirds, APS-C and full frame cameras. The articles were based purely on the objective use of each of these camera types, and how they are seen by people in the photography world, so today we ask the question that many of you haveContinue reading “Can any camera be a “Professional” camera?”

Choice Paralysis: Why less is more in photography

We live in the golden age of gear. Every few months, a new camera body is released with more megapixels, faster autofocus, and better dynamic range. We have zoom lenses that cover every focal length imaginable and software that can “fix” almost any mistake in post-production. But for many photographers, this abundance doesn’t lead toContinue reading “Choice Paralysis: Why less is more in photography”

Why I didn’t go full frame and went with Fujifilm

Around two years ago I decided that it was time for a change. I’d been shooting with various Nikon cameras (D40, D3200, D5300, D7100) over the years, alongside shooting film. I’d also had hands on with many other camera makes and different sensor sizes from micro four-thirds Panasonic cameras through to Nikon, Sony and CanonContinue reading “Why I didn’t go full frame and went with Fujifilm”